I took Mike Aubrey's advice, and set the ISO to a lower maximum of 1600, so that the Auto-ISO will force the shutter speed to be lower, since the E-M5 seems to favoure higher shutter speeds (higher ISO). With a 50mm lens (100mm equivalent in 35mm), I can shoot at 1/25s and the images are sharp; even at 1/13s, it's still tack sharp. With a very fast lens, you can practically shoot in the dark with very little available light. I wish the NEX-6 (and the A7/A7r) has this incredible IBIS feature.
William - E-M5 & Kodak Anastigmat 50mm f1.6 Cine Lens. Click for larger.
Port of Toronto at night - E-M5 & Kodak Anastigmat 50mm f1.6 Cine Lens. Click for larger.
Never ending snow - E-M5 & Kodak Anastigmat 50mm f1.6 Cine Lens.
Really like the William portrait. There are still advantages to the m4/3 system, its not a black and white thing (pun intended) picking between FF and 4/3 simply on price. So far my own experience with various Image Stabilization systems is that the subject moves more than I do
ReplyDeleteClearly though it has its advantages :-)
Every system has its strong points and the m4/3 is no different.
DeleteYou have an arm of steel! I find the IS immensely helpful.